1873 - A NEW CONCEPT: Matinees or morning performances were introduced starting at 2.00pm.
1879 - The house was taken over by the Bancrofts. The auditorium reconstruction enclosed the stage in the first complete picture frame proscenium. The abolition of the pit by the introduction of stalls seating divided by plain iron arms set a formidable precedent and caused a small riot.
1881 Lily Langtry made her debut.
1893 - Oscar Wilde premieres his first comedy A Woman of No Importance, followed by An Ideal Husband.
1904 - The Theatre closed for rebuilding of the foundations front of curtain. Designed by Stanley Peach.
1939 - Under Stuart Watson the stalls bar was excavated, not completed until 1941 owing to war. John Gielgud produces a repertory season commencing with The Circle and Love for Love, followed by Hamlet.
1962 - John Gielgud directs School for Scandal with Ralph Richardson, Margaret Rutherford, Anna and Daniel Massey. And The Tulip Tree with (N.C.Hunter) Celia Johnson, John Clemente, Lynn Redgrave.
1981 - Louis I Michaels, Impresario, dies. The Theatre is now owned by Louis I Michaels Ltd, headed by President, Enid Chanelle and Chairman, Arnold M Crook.
1994 - 1.3 million pounds are invested in major refurbishment work consuming twelve hundred books (each containing 25 x 80mm square sheets) of twenty-four carat English gold leaf. Overhaul and reinforcement of stage roof trusses installed in 1821. Art restoration to Joseph Harker's ceiling and cleaning of two thousand lead crystals in a central chandelier. Fresh carpet, new upholstery, hand blocked wallpapers, marble polishing and air conditioning.
Oscar Wilde's An Ideal Husband and A Woman Of No Importance both premiered here. The theatre has a reputation for presenting good serious plays - and the list of actors and actresses who have appeared here over the years reads like a who's who of the British acting establishment.
“Welcome to the Theatre Royal Haymarket - probably the world's most beautiful theatre. We have been staging the country's finest productions and playing host to generations of its most illustrious actors for nearly three hundred years.
When you come, look out for Buckstone, a friend of Charles Dickens and manager of the Haymarket from 1853-1879, whose ghost is still seen in the auditorium and dressing rooms, keeping an eye on his beloved Haymarket.”
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